9/10/07

OAK HILL PRESBYTERIAN CHURCH

Jan Stanford, the historian of Oak Hill Presbyterian Church on Oak Hill and Connecticut, kindly gave me a tour on Saturday afternoon.

Entrance hall of church.




Massive stained glass window.



Sachristy ceiling

View from the top of the staircase.

The Church also owns this building next door (4115 Connecticut)
which they refer to as the Annex. At one time it was rented to the American Indian Center (and that's when the wood work was painted turquoise!)
Dining room

First Floor front room and fireplace









Second floor clothes chute.



Brass wall sconce

9/6/07

BRICK & ART

I used to be a visual artist.

I started with photography, worked it for years and eventually found it static. I started altering the images with oil paints and stacking negatives. That still wasn't interesting but I learned process, showed my work and sold it. One of my images even appeared on the cover of the old St. Louis Home magazine.

Then I started painting.
That was interesting for about a year until the work evolved into my favored medium, assemblage. Three dimensional work that hung on a wall and aspired to the condition of sculpture. I still used paint but it was incidental to the piece.

I showed, it sold. It was easy.

It was easy because I was employed with a Real Job working for the Patriarchy. I felt like a spy. In it but not of it, I learned much while not taking it seriously for a moment. I just wasn't (to the annoyance of my coworkers and supervisors) on a 'career track.'

At night I painted in my studio and published an arts magazine VELOCITY that evolved out of the mail art scene I was involved in.

In 1980 I heard about Mark Pauline who lives and works in San Francisco from an artist in St. Louis. You may want to meet and interview this guy, he told me. I agreed.

I went to SF, meet, hung out with and interviewed Mark Pauline and Matt Heckert of Survival Research Laboratories. I also met Mark's girlfriend at the time, Andrea Juno of RE/SEARCH who was living in North Beach with Vale. I saw their book on J.G. Ballard as a galley flat before it was sent to their publisher.

I hunted down writer Peter Plate in SF and did the first ever interview with him (published in Red Bass). When I met Peter he was squatting in the Mission and self publishing his books. Now he writes for the SF Chronicle and has a book publisher!

I've met the people you've read about in books - David Bryne.

I designed a line of hats in the late 70's Hat Attacks, created a line of three dimensional postcards Card Sharks, designed and sold clothing as well as luggage Know Where Fast. I also designed jewelry and had sales reps working for me.

I did all this while working for the Patriarchy.

For the last ten years I've been self-employed.
For the last ten years I haven't created a piece of art.

I see it though. I see what I want to be creating when I look closely at the surface of these bricks. I now understand my attraction to the details of face brick, it looks like the work I had been doing. I've been documenting a part of me that I've neglected.
I see it here:



Here


And here


Here's a photo of the last piece I made. See the resemblance to brick? I do. (I know, very dark photo)



I also see the resemblance in the work of the abstract expressionist paintings - in the loose brushwork of Franz Kline's bold and graphic lines, I know he's been sucking on the marrow of brick.

I know this.

* * * * *

Recently an old art crony, Leslie Caldera, reestablished contact with me from Whittier CA. via my friend Pat Fish. I had met them both through VELOCITY magazine, they had both been contributors.

Leslie Caldera (or, Creative Thing as he's known in the Art World or Lesel as I call him) mailed me a copy of a gig poster he had designed for a show that used one of my old photo montages of my bike wheel.




Lesel is an assemblage artist. He has a Real Job as a graphic designer and makes art when he's not working or riding his bike. He has beautifully refined sensibilities and whenever I see a piece of his work I experience everything that I love about art: light, value, rhythm and grace.

I miss being a part of that, I miss that part of me.

Being self-employed means I get to work in my garden at my whim, be a stay-at-home dog Mom and spend a lot of time volunteering on projects in my neighborhood because they are gratifying -- just like making art always was.

Seeing that old photo montage that Lesel sent made me feel guilty. I'm no longer the woman he used to know.

I pulled out an old binder of mail art filled with his drawings on the envelopes of letters and postcards that he had mailed to me.

Some of Lesel's old work:




Lesel mailed this handmade postcard for my 33 year birthday 21 years ago.




Handmade Valentine post card.




Lesel's current work. Dark Century.



Lesel just emailed me today with this link: http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=45130516&blogID=306144930
It's a set of stamps he designed for the L.A. band, X.
Want to buy a sheet? Contact him: lesliecaldera@sbcglobal.net

Another connection with Lesel is Joel-Peter Witkin. I first saw Joel's work in the mid 80's, his first book had been published and was at Left Bank Books. His work was profoundly upsetting and intriguing. Lesel knew of my interest in Joel's work and mailed a pile of articles and reviews about Joel's show he recently open in L.A.

I stayed up late reading the materials and that night dreamed about a flat rock that was skipping across a lake, never breaking the surface, never reaching the other side.

I went to to my Patriarchy job the next day thoroughly depressed about the dream and it wasn't until 4 that afternoon I understood it. I was the rock! The dream was about the validity of my art work in comparison to Joel's because his work demanded a reaction.

Once home, I began reading more. I read that Joel lived in Albuquerque with his wife, Cynthia (who was a tattoo artist and Navaho / Mexican) and a woman named Barbara.

I couldn't believe it! I had always wanted to be tattooed by a Navajo woman who lived in the desert. I picked up the phone next to me, called Albuquerque 411 and discovered Joel was listed. Within a minute, I was speaking to their son, asking to talk to Cynthia.

I realize you're going to think this is odd but I've just read this article that says you're Navajo and that you tattoo ... would you consider tattooing someone you've never met and who is calling you like some stalker?

Months later, she tattooed my back at their home in Albuquerque. It took two days, a total of nine hours.

This is a poor copy of a photo that Joel took of me sitting with Cynthia on the porch of their ranch.



Sitting with Joel


What became of mail art? Years ago one could mail ANYTHING through the post office as long as it had the proper postage amount. The Uni bomber ruined it for everyone.

Some more photos of mail art pieces in my binder.

Tile post card from a friend who had just covered his kitchen floor and used this scrap as a postcard.





From my friend Armin Paetzold (when I moved back to STL)





Large postcard from Armin torn from a cardboard box.




I decided it may be time to go back to working for The Patriarchy. I broke the news to my friend Lisa who shouted NO!!!

This should be interesting.

9/4/07

LUSTRON STEEL PANEL HOUSES - TGS

A couple of years ago I mentioned on the St. Louis Rehabbers Group that there were two Lustron houses right here in TGS. Documentation on these steel panel houses starting popping up on the group as well as various STL blogs (google Lustron St. Louis)

These steel panel houses were bought as a kit from the Sears catalog.

Someday I'll figure out how to have comments appear other than a link! Steve's comment is correct, Lustron homes were not sold via Sears:

Steve Wilke Shapiro said...

I think that these homes are interesting as remnants of a failed experiment, and as examples of modern prefab design. However, I am very glad that the company went out of business before succeeding in their goal of transforming the way people purchase homes. One of the primary forces driving (so to speak) suburban sprawl is the view that housing is a commodity like a tennis shoe or ballpoint pen.

I do however, like the idea that a home can be small, well designed and affordable... An all steel home would probably not be practical at today's steel prices. Had Lustron stayed in business, they would probably now be made out of PVC!

I don't think Lustron was a Sears product. I believe that Lustron was its own company. Could be wrong on this count.




Most of the Lustron homes had five rooms and contained about ten tons of steel. Steel wall frames were bolted to a concrete foundation, and steel roof trusses were in turn bolted to the wall frames. The exterior consisted of porcelain enameled steel panels. The price was about $10,500, not counting the lot and other extras.

41 block of McDonald in TGS:



And across the street



PAVER BRICKS - HANNIBAL & HERMAN, MO

In my email box today:

Hello! Went camping this weekend and found you some brick to drool over.
The first two are from Hannibal, MO at some memorial for Mark Twain and a bridge.
The next two are from Herman,MO on the sidewalks.
Enjoy, Bruk.


Could anyone ask for a better friend?




Sidewalk pavers, Hermann, MO.


8/28/07

Tower Grove South Block Captain Meeting

Here in TGS we have a well organized group of volunteers: Block Captains. Lead by Andrew Gondzur, who has been a volunteer organizer going on nine years. The steering committee consists of four people: Andrew, Peggy, Liz, and yours truly. We're always interested in new talent.


We meet as a steering committee once a month to jam and as a group on the last Monday of every month.

We've built partnerships with the police, media, our NSO's and have strong planning abilities. We love our neighborhood!

Last night we presented our Green theme meeting with 40 residents present.

Todd and his architect, Paul Breden delivered an exciting discussion of transforming Todd's bungalow in TGS into an energy efficient home. Read more about it here: http://livegreenstlouis.wordpress.com/

Todd (on the right) with Paul Brenden.


Todd's architect, Paul Brenden displaying the model of Todd's home




Terry Winkleman of Home Eco
www.home-eco.com

Terry told us about the products her store is selling and clothing made of hemp and soy means I will be there soon to shop. I've a hat made of hemp and love the durability. The store also sells bamboo and cork flooring, bioplastic trash bags, organic cotton sheets, composters, recycling bins, and other renewable energy products.



BC coordinator, Andrew displayed his electric bike. He has installed a kit that added a rechargeable electric motor to his old bike. With the twist of his handlebar he can go from pedaling to a nice boost of "motorized help."

"I can, go farther and faster than I would if I were just pedaling," he said, which is why Andrew now takes his bike, not his car, to the post office, the library, his children's schools (it has a hitch, the kids ride in a detachable cart), and the grocery store. "Why take 5,000 pounds of car and burn expensive gas to get one thing you forgot at the supermarket? Now I leave my car at home." Its the equivalent to a hybrid car, no idling, both pedaling and electric at your fingertips, literally. It can travel 30-40 MPH.

After the meeting Andrew let a few of us ride the bike. It was SO MUCH fun to ride a bike uphill without pedaling.